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One-third of rap outfit , Offset is a rapper whose speedy rhymes and love of interjections and clever wordplay made him a fan favorite as the trap trio ascended the hip-hop charts. After breaking through with , he branched off as a solo artist, collaborating with multiple artists and reaching chart highs with (&#8220;Taste&#8221;) and (&#8220;Zeze&#8221;) in 2018. In early 2019, he issued his debut full-length, Father of 4, which spawned the Grammy-nominated single &#8220;Clout.&#8221;



Born Kiari Kendrell Cephus in Lawrenceville, Georgia, he initially formed another collective called Polo Club in 2009. The following year, he formed alongside and his cousin . The trio broke out of the underground when their track &#8220;Versace,&#8221; from the 2013 mixtape Young Rich N*ggas, became a widespread hit. Offset went on to release chart-topping studio albums with , including 2017&#8217;s Culture and its follow-up, 2018&#8217;s Culture II. Without Warning, a collaboration with and , appeared on Halloween 2017 and immediately hit the Top Five of the Billboard 200 album chart. The set featured his triple-platinum hit &#8220;Ric Flair Drip.&#8221; Around the same time, Offset married in a private ceremony, though the up-and-down relationship of these two famous rappers was the topic of frequent public gossip.



Following a slew of guest appearances &#8212; including the multi-platinum Top Ten singles &#8220;Taste&#8221; with and &#8220;Zeze&#8221; with &#8212; Offset issued the single &#8220;Red Room,&#8221; which landed on his solo debut, Father of 4. The album debuted at number four in the Top 200 Billboard charts and spent another week in the Top Ten. The following year, the -featuring single &#8220;Clout&#8221; was nominated for a Grammy Award.



In 2021, Offset and returned with Culture III, while the rapper teamed with Trippie Redd, Lil Durk, Kevin Gates, King Von and for the all-star single &#8220;Hit Em Hard&#8221; from the Fast &amp; Furious 9 soundtrack.

OFFSET

CL is a versatile vocalist, performer and songwriter. Exploding onto the K-Pop scene at the age of 17, she was the leader of one of the most successful girl groups in the world, 2NE1. Counting two, solo headlining World Tours, which sold out nine cities in North America alone, CL is also credited as a writer and co-producer on the groups 2014 album “Crush,” which went on to become the best-selling and highest-charting Korean album is US Billboard 200 chart history. In 2016, CL embarked on her solo career, dropping her first, smash-hit single, “Lifted” garnering over 33 million views on YouTube. After a recording hiatus and a performance at the Closing Ceremony of the 2018 Winter Olympic Games in PyeongChang, CL released six new tracks under the title, “In The Name of Love,” in 2019 calling it a gift to her devout fans that chronicles the time in her life following the release of “Lifted.”



Taking home the award for “The Most Inspiring Asian Woman” at the 45th annual People’s Choice Awards in 2019, CL is also a two-time nominee for TIME Magazine’s “100 Most Influential People in the World” list. She has collaborated with the likes of the Black Eyed Peas and Lil Yachty in addition to performing with Skrillex and Diplo at Ultra Music Festival and HARD Summer Festival.



Breaking the stereotype of female K-Pop artists, CL aims to use her platform to speak authentically, inspire, and empower future artists to push past barriers.

Jackson Wang was born on March 28, 1994 in Hong Kong, China. He is a male pop singer, musician, host, designer and creative director. On June 26, 2017, Jackson Wang announced the establishment of the TEAM WANG label. Adhering to the spirit of originality, Jackson Wang participates in entire music production process, including song writing, arrangement, MV shooting and so on. On August 26, Jackson Wang released his first original single Papillon, which was popular all over the country. Later, he released original singles such as Okay, Different Game, and Fendiman. Fendiman peaked at top1 on two charts of iTunes. And Different Game is a collaboration with American remarkable rapper Gucci Mane that gained a good reputation. August 12, Jackson Wang won the Choice Next Big Thing award at the Teen Choice Awards 2018, becoming the first Chinese to receive this honor.



 On October 25, 2019, Jackson Wang released his first digital album MIRRORS. In 2020, he released new English single 100 Ways on March 20. On September 4, he released another new English single Pretty Please, which charted on top 10 of Mediabase of the US Radio Dance Music. On December 17, Jackson Wang released the collaboration Chinese single Should’ve Let Go with JJ Lin. On January 30, 2021, he released the original Chinese single Alone.

JACKSON WANG

The younger and melodic half of Southern hip-hop duo Rae Sremmurd, however, is quick to deny any association to being two different people and instead opts for a more complex, manifold, but unified version of himself. Nowhere does this ring truer than in Swae’s versatile music and sound that is undeniably and utterly Swae. Born in Inglewood, California as Khalif Malik Ibn Shaman Brown, the singer cites Texas as a focal point in his beginnings in music at the age of 11 or so, where he began to seriously pursue his musical interests. Outside of school and familial extracurriculars, Swae would experiment with production, recording software, and learn how to mix audio. Swae, has made a name for himself outside of his duo work, showcasing himself as a force to be reckoned with both within and beyond the hip hop world, with tracks such as French Montana’s “Unforgettable” showing off his singing chops and his impressive list of writing credits including the hook to Beyoncé’s “Formation”. Swae’s melodic repertoire, however, is not relegated exclusively to the r&amp;b and hip-hop sphere as his crooning can also take on ballad form and mesh into a more electronica background as well—a complex Gemini in many ways.

SWAE LEE

Australian dance royalty Bag Raiders return with new music, a new label, and a new lease on life in 2022. Not many artists have had the immense effect on the youth of today quite like Bag Raiders. Whether that be sound-tracking many a sweaty night on a dancefloor, sing-a-longs at the biggest festivals in the world, or becoming the anthem to one of the most iconic moments in the internet’s history, the electronic duo have done it all.



 Globally recognised for the singles ‘Shooting Stars’, ‘Sunlight’ and ‘How Long’, Bag Raiders return to the fore with brand-new singles ‘UR Heart’ and ‘Never Forget’, the inaugural releases on their very own label, Broken Head Records. The label sees a return to their dancefloor roots, and a reconnection with a musical style, community and motives that have always been close to their hearts. If ‘UR Heart’ was the come up, ‘Never Forget’ is the drive home after losing your love and/or friends on the dancefloor and similar in style to that of international contemporaries Bicep, TEED, Ross From Friends and Four Tet.



 While they look to the future, it’s impossible to forget the past and the fact Bag Raiders have been stalwarts in the dance community for over 10 years now. Sold-out tours across the world, over 4 billion streams online, ARIA nominations and many a platinum plaque solidified Bag Raiders as the benchmark for electronic pop music not only in Australia but around the world.

BAG RAIDERS

When 24-year-old singer, songwriter, producer Jeremy Zucker wowed the world with his 2018 breakout single, “comethru,” he was in his home state of New Jersey in his childhood bedroom. In a contemplative space, Zucker would craft a song that would ultimately change his life, despite already landing a recording contract with Republic Records and selling over 500,000 singles the year prior. That was less than two years ago, and during that time Zucker would tour the world and release groundbreaking projects. As Jeremy Zucker readies his debut album, love is not dying, he returns to his room, only this time the scenery has changed. And so has the man.



Prior to “comethru,” Zucker was a streaming music fixture, galvanizing a significant fan base while still within the halls of Colorado College. A handful of EP’s, including 2015’s beach island and breathe and 2017’s motions, were the catalyst. After signing to Republic Records in 2017 during his senior year of college, he hit the ground running with two more EP’s, idle and glisten, which featured viral hits “talk is overrated” and “all the kids are depressed.” In the Fall of 2018, he released his final EP, summer, which included the Gold Certified “comethru.” The song would go on to secure over 820 million global streams and over 220 million video views, while Zucker simultaneously sold out stages across North America, Europe and Southeast Asia throughout the next year on his headlining world tour.



At the top of 2019, he linked with Chelsea Cutler and brent was released, landing both of them on stage at Today Show. The project’s single “you were good to me” is Certified Gold with over 115 million streams on Spotify. It catapulted their collective notoriety, though Zucker had a strong foundation already solidified. That’s when the creative fodder flooded in. “I basically stayed in New York that summer and worked on a bunch of songs,” Zucker recalls. “I toured Asia and worked on some songs, came home and finished the album. It was a mish-mosh of touring, being out on the road and writing, taking writing trips in between.”



However, that process wasn’t what drove the album to its fruition. Jeremy was settling into his new Brooklyn life, living on the edge of Manhattan, which to many is the center of the universe. “I felt like my life was just about perfect,” he adds, though something massive was missing. “The only other thing that would make it perfect was having a functional and stable relationship. It was never fully realized; I was always on the edge of that. I had this almost fantasy in my head of having my life sorted out in Brooklyn.” The crux of his new project is harnessing those emotions to various degrees and making them into songs, therapeutically expressing those life-altering experiences through his music. “The end of the process of the album is that dream falling apart,” he says.



The lead single, “not ur friend,” reflects on removing toxic relationships from one’s life. Co-penned by Max Martin’s MXM (and Zucker) and produced by Zucker, the song is rhythmic and catchy though laden with underlying meanings. The remainder of the project is entirely written and produced by Zucker, including the first single, “always, i’ll care,” which is a plutonic love song about friends sticking around even when he isn’t able to give the same energy to that relationship with his life changing and career building. Other album cuts like “full stop” are the antithesis to the lead single, as Zucker contemplates regret for cutting people out because the end result is solitude. This year he will take the project on another world tour, hitting Europe in the late Spring and North America in the Summer, followed by Australia and New Zealand come Fall.



It’s an intensely personal body of work, where even at times Zucker speaks through his lyrics to his loved ones and his fans. “I have always historically written songs as a way of expressing things to the people around me because I haven’t always been able to express myself in words,” he explains. Above all, love is not dying shows the evolution of a young star as he continues his movement to shine, while living life in the process. It’s there that he finds his groove. “I always stand by what gives me meaning in the music,” he says. “I hope people will listen to the music and feel like they’re not alone.”

JEREMY ZUCKER

Three years ago, Chris Emerson, better known as What So Not, rediscovered the dancefloor. Not as the accomplished artist and producer that he is, or even as a DJ. Emerson purposefully returned to the dancefloor as a participant, so he could experience the music from the other side of the stage. Looking and listening and dancing, soaking up the energy of the crowd, he brought everything back to his second album, Anomaly.



“I was having the year of my life,” says Emerson of that time. “I wasn’t thinking about streams and playlists. I wasn’t sitting at my computer or on my phone or at meetings. I would never hang out at gigs. I was always working in my dressing room, building a set, or finalizing an edit, or checking a mixdown, or finishing a song, trying to fit it all into the set.



“But I realized how important it is to experience everyone moving in unison and feeling something. I went big wave surfing in Tasmania where I could have died. I took every opportunity presented to me, every experience. I started living my life again, to the highest level imaginable, and that has really come out in the music on Anomaly.”



Emerson released his critically- and commercially-acclaimed debut album, Not All the Beautiful Things, in 2018. He headlined his own venue tours of North America and his native Australia. Since his first release in 2011, Emerson has racked up gigs in over 70 countries. He counts Rüfüs du Sol, Skrillex, RL Grime, Toto, Run the Jewels, Flux Pavilion, Noisia, Daniel Johns, San Holo and Jagwar Ma among his collaborators. He collected the Australian Independent Record Award for Best Independent Dance, Electronica or Club Single for his song “Beautiful” featuring Winona Oak. He is looking at a billion streams in his rearview.



Says Emerson, “I had to get out of the cycle of the touring artist life where you feel like you’re forever chasing your tail. I was winding down from touring and started asking myself, ‘Who am I now? Where am I going? What am I doing?’”



For most of 2020, Emerson lived on the beach in Australia, alongside a dozen or so creatives working in a cross-section of mediums from visuals to design to music. In this artist commune of sorts, without deadlines or commitments, he explored new genres of music, new ways of creation, new production techniques, new sound designs, new equipment, all the while taking recommendations from his fellow artists. From books and films to live performances and interviews, Emerson went from being isolated in his What So Not world, to becoming completely immersed in artistic stimuli.



“It was a big reset,” says Emerson. “I started from zero again and it helped me shape a lot of this album.



“Anomaly is the natural evolution of Not All the Beautiful Things,” he continues. “I was very sad at the time of [Not All the Beautiful Things] and I was working out how to feel normal again. That album was like therapy. Anomaly is more high energy and empowered. It is the first time I feel confident being myself and living a life again. Not the life of a musician that performs around the world, but the life of someone who is really living, experiencing the cities, festivals and sites I travel to.”



The album was created in various parts of the world: The Netherlands, Nicaragua, Germany, Australia, Atlanta and Los Angeles. What each of these locations had in common was a creative ecosystem which Emerson seamlessly became a part of. Everything he was around was inspiring ideas and being fed into what would eventually become Anomaly.



In every city, Emerson connected with different collaborators. Oliver Tree and Killer Mike converge on the slow grooves-into-low-slung beats of “Mr. Regular.” Louis the Child, Captain Cuts and JRM meld on the soul strains of the pop-flecked “On Air,” which is centered around sounds from a plastic toy flute. MØ floats over the fluttering synths of “Mercy”—a stripped down version of which appeared on her 2018 album, Forever Neverland. The DMA’s brought their ‘90s Britpop sensibility to Emerson’s skipping breakbeats on the first single, “The Change,” and EVAN GIIA brings a dark texture to the constrained and eerily emotional “Messin’ Me Up.” Emerson himself sings on the mantra-like album opener, “Alive.”



Anomaly rifles through genres, dipping into everything from melodic bass and bombastic drops to cinematic builds and skittering beats and even classic rock styles. These are neatly pulled together with Emerson’s crafted production techniques. The eclectic nature of his original music is a reflection of his wide-ranging and unpredictable DJ sets, where nosebleed drum ‘n’ bass can be heard alongside the Pixies and, as the intense reaction of his audience attests, it just makes sense.



The songs might go through a number of iterations before the final versions heard on Anomaly. The album was fleshed out and refined over a seven-month period during graveyard hours in ShockOne’s legendary drum n’ bass studio in Perth, Australia in 2021. Here, for the first time on a proper system, Emerson was able to tweak previously inaudible sonic complexities in his music for countless hours.



“I’ll have an idea for a song and I know there’s something absolutely gold in it,” says Emerson. “But, I either don’t have the personal experience or the technical experience to turn it into what it deserves to be and that takes time. You might not find that missing piece for three or four years. I believe that gives you the time to develop yourself as a person and as an artist. ‘Mr. Regular,’ for example. I wrote with Oliver Tree in 2015 and it got Killer Mike on it in 2021 and it’s being released in 2022. It never would have existed like that if I just rushed it out.



“I&#8217;m not making something that&#8217;s going to phase out,” he continues. “I&#8217;m not following a trend. I’m doing what I personally feel so I&#8217;m never worried about something coming out years later because it&#8217;s still going to sound fresh and interesting.”



Emerson is as forward-thinking as he is timeless. He has created a 3D animated film, also called Anomaly, that matches up with the songs on the album and is being released in tandem with it. The film takes place in an indeterminate time in the far future and is a metaphorical representation of Emerson’s own life as an ordinary boy growing up in a small town who travels to the big city to explore its possibilities.



The central message of the film is finding your calling, the importance of your existence and how you impact the world. The narrative works as one piece, or as individual music videos. The film will be screening in boutique theaters in cities where the Anomaly tour hits, viewable the day before Emerson’s shows.



Says Emerson, “The exciting part is, the audience has familiarity with the characters and the universe from the film. We can then take all our characters, scenes, backgrounds and locations and bring them into any online space: a VR festival, a video game festival, NFTs.



“The other component of it is, extracting every piece of this film and repurposing it to have the most impact on stage. Rather than playing a video everyone’s already seen, we can track the movements of a professional dancer performing a scene and have that be projected as a giant robot on screen.”



Into the second decade of his career, Emerson is as enthusiastic and inspired as he was at the start—with the benefit of self-reflective insight and a wider world view.

WHAT SO NOT

Born in the Philippines and raised in London, Bea Kristi began recording music as Beabadoobee in 2017. At just 20 years old, Beabadoobee has built her huge, dedicated Gen-Z fan base with her flawless output of confessional bedroom pop songs and DIY aesthetic. Her first track, ‘Coffee’ gathered hundreds of thousands of streams in a matter of days, through a fan-uploaded video. Since then, her songs have amassed millions of streams between her own self-released recordings and her three EPs on independent London label Dirty Hit, Patched Up, Loveworm and Space Cadet. 



She has been championed by&nbsp;BBC Radio 1, Rolling Stone, Vogue, Dazed, The Fader, i-D, Pigeons and Planes, Noisey, NME, Time Out, Paper, Nylon, Time Out, The New Yorker and The Guardian, amongst others. In 2019 Bea was nominated for both the BRITs Rising Star and BBC Sound Of 2020 awards. Her debut album Fake It Flowers will be released on October 16th this year.

BEABADOOBEE

Oh Wonder are one of the UK’s best-kept secrets. What started with the relatively modest ambition of uploading a track month for a year quickly transformed the lives of Josephine and Anthony. Five years, 2 billion streams and more than a million record sales globally down the line – as well as a top 10 album back home, and sold-out shows including Brixton Academy and 300,000 global headline tickets &#8211; have led to where Oh Wonder find themselves in 2020: a truly modern-day success story, and one which, like the best of things, appears to have largely been a happy accident. The same, too, could be said of the friendship between Josephine and Anthony, whose magnetic intimacy on and off-stage has evolved (as many fans speculated) into a romantic relationship, with all the highs and lows that come from living, working and doing just about everything else with your partner.<a href=""></a>

OH WONDER

Nicknamed after the attire he became known for wearing in recording studios, Pink Sweat$ is a singer and songwriter who favors sparsely arranged R&amp;B ballads consisting of little more than his voice and guitar. After writing material for other artists, he made his recorded debut in 2018 and has released projects like 2020&#8217;s The Prelude with the intent of creating a lasting emotional connection with listeners. Pink Sweat$&#8217; debut album, Pink Planet, arrived in early 2021.



 A native of Philadelphia, David Bowden was musically inclined as a youngster. He learned to play drums and sang regularly. Raised in a religious household, he didn&#8217;t get into secular music until his late teenage years, and eventually absorbed a wide breadth of genres. He got into the music industry as a demo vocalist and songwriter at Philly&#8217;s historic Sigma Sound Studios. With no desire to become a recording artist himself, Bowden co-wrote material for the likes of Rosie Bondz, Natalie Imani,&nbsp;Aaron Camper&nbsp;(including the 2016 single &#8220;Guns and Roses&#8221;), and&nbsp;Tierra Whack&nbsp;(such as the 2017 single &#8220;Child Please&#8221; and 2018&#8217;s &#8220;Pretty Ugly&#8221;).



 After surviving a severely debilitating three-year fight with a rare esophageal disorder, Bowden felt inspired to start keeping his songs to himself, and signed a digital distribution deal with&nbsp;Human Re Sources. He made his recorded debut as Pink Sweat$ in July 2018 with &#8220;Honesty&#8221; and &#8220;No Replacing You,&#8221; a pair of heartfelt, unvarnished ballads that sharply contrasted with commercial R&amp;B. Both songs appeared that November on Volume 1, his first EP. The similarly direct and brief Volume 2 arrived the following March. A steady stream of singles appeared over the next two years, including the 2020 ballad &#8220;17&#8221; and the bouncy &#8220;Ride with Me.&#8221; To satiate fans waiting for the release of his first full-length, Pink Sweat$ offered up The Prelude EP in July 2020, which featured select songs from the still-forming album. His debut, Pink Planet, finally saw release in February 2021 on&nbsp;Atlantic Records&nbsp;and reached number 133 on the Billboard 200. After joining&nbsp;HONNE&nbsp;on the track &#8220;What Would You Do?,&#8221; Pink Sweat$ returned later that year with his own follow-up single &#8220;I Feel Good.&#8221;

PINK SWEAT$

Multi-Platinum DJ and producer Fadil El Ghoul, better known as&nbsp;R3HAB&nbsp;has been trailblazing his way through dance music for the past fifteen years. From his breakthrough remixes for Rihanna, Drake, Taylor Swift, Calvin Harris, to anthems such as Platinum-certified &#8220;All Around The World (La La La)&#8221; and &#8220;Lullaby&#8221; to his collaborations with the likes of Ava Max, ZAYN, Luis Fonsi, Sean Paul, and more,&nbsp;R3HAB&nbsp;has proven to be one of the most forward-thinking artists in the game. His work has collected over 8 billion streams to date, including 1.1 billion in 2021 alone.&nbsp;R3HAB&nbsp;founded his label&nbsp;CYB3RPVNK&nbsp;in 2016, which has passed 4 billion streams across platforms since its inception.



 R3HAB&nbsp;continues to evolve and diversify his sound by working with artists around the globe, pushing the boundaries of dance music as he collaborates across genres and languages. He is Spotify&#8217;s Most Discovered Artist, one of Spotify&#8217;s top 200 most streamed artists, ranked #12 on prestigious DJ Mag&#8217;s Top 100 DJs chart, and has earned over 70 Gold and Platinum certificates.&nbsp;R3HAB&nbsp;has embarked on multiple sold-out worldwide tours and was the first dance music artist to sell out 15 consecutive shows in China. On top of that, he performed at the world&#8217;s top festivals, such as EDC, Ultra Music Festival, Tomorrowland, Balaton Sound, Coachella, Summer Sonic Festival, DWP Jakarta. With his combination of innate artistry and innovative attitude,&nbsp;R3HAB&nbsp;has earned his place as a household name in dance music.

R3HAB

Shallou makes music for summer sunsets, winter wonderlands, and other contexts where sharpened senses meet heightened emotions in the glow of a profound, often wistful calm. Born Joe Boston in Washington D.C., Shallou grew up in Rockville, Maryland, studied in New Orleans, and moved to Chicago to focus on music before eventually resettling in LA. He released his EP, Souls, in 2018, with lullaby-grade chimes and breathy falsetto melodies. The overall mood is a delicate flavor of bittersweet, in which even the deepest melancholy gives delectable pleasure. He released his debut album, Magical Thinking, in 2020. On the record, Shallou sharpened his songwriting as he teamed up with singers like Zachary Knowles (&#8220;Mutual Love&#8221;) and Daya (&#8220;Older&#8221;) and stretched his sound into wide-screen pop on &#8220;Silhouettes,&#8221; featuring Vancouver Sleep Clinic. The same year, he teamed up with Petit Biscuit for &#8220;I Leave Again,&#8221; proving that even the most solitary feelings are best enjoyed in good company.

SHALLOU

Read the guideline below before you exchange your e-vouchers



<a href="https://drive.google.com/file/d/18ENsNQyKk69Vs5d5ZFTN-rgavlfGCzh9/view?usp=sharing">ID</a> / <a href="https://drive.google.com/file/d/1oASvoXmUGIMZ2hbDKL6DJrLBJB3RRiKp/view?usp=sharing">EN</a>

GA General Admission	PRICE
3-Day Pass - Early Entry 3**(Entry before 4PM)	Rp 1.500.000
3-Day Pass - Early Entry 4**(Entry Before 4PM)	Rp 1.625.000
3-Day Pass - Presale 4	Rp 1.875.000
Daily Pass - Early Entry**(ENTRY BEFORE 4PM)	Rp 700.000
DAILY PASS - PRESALE 1	Rp 850.000

VIB Very Important Banana	PRICE
3-Day Pass - Presale 1	Rp 3.500.000
3-Day Pass - Presale 2	Rp 4.000.000
DAILY PASS - PRESALE	Rp 1.500.000
DAILY PASS - NORMAL	Rp 1.650.000

GA GroupPackage	PRICE
3-Day Pass - Presale 2(Includes 6 tickets)	Rp 8.750.000
DAILY PASS - GROUP PACKAGE A(INCLUDES 3 TICKETS)	Rp 2.250.000
DAILY PASS - GROUP PACKAGE B(INCLUDES 5 TICKETS)	Rp 3.400.000

VIB GroupPackage	PRICE
3-Day Pass - Presale 1(Includes 6 tickets)	Rp 18.750.000
DAILY PASS (INCLUDES 3 TICKETS)	Rp 3.900.000

23-25 September 2022

GBK Sport complex, senayan-jakarta

LIne Up

OFFSET

CL

JACKSON WANG

SWAE LEE

BAG RAIDERS

JEREMY ZUCKER

WHAT SO NOT

BEABADOOBEE

OH WONDER

PINK SWEAT$

R3HAB

SHALLOU

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JACKSON WANG

SWAE LEE

countdown to we the fest 2022

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